'Piet Mondrian’ in The Routledge Encyclopaedia of Modernism - Forthcoming.
‘Painting and politics: Renato Guttuso at the Estorick Collection’. Journal of Modern Italian Studies - Forthcoming
‘Bacon and Bataille’, in Arya, R. (ed) Francis Bacon: Critical and Theoretical Perspectives. Peter Lang, Oxford, 2012, pp. 49-80.
Contributions to books
‘Julien Temple’, in Allon, Y. Cullen, D. and Patterson, H. (eds) Contemporary British and Irish Film Directors: A Wallflower Critical Guide. Wallflower Press, London, 2001, pp. 327-28.
Redaktion Allgemeines Kunstlerlexikon. KG Saur Verlag, Leipzig, four entries, 1994.
Journal articles
‘Size Matters: The “Collage-Paintings" of Gwyther Irwin 1957-61’.The British Art Journal. Vol. XIII, No.1, 2012, pp. 46-53.
‘Bladdersticks and Fools: William Nicholson (1872-1949) and the Morris’. The British Art Journal. Vol. IX, No.3, 2009, pp. 55-61.
‘Britain’s first Jackson Pollock’. The Burlington Magazine. Vol. CLI, No. 1270, January 2009, pp. 31-32.
‘Notes on British Surrealism at Southampton City Art Gallery’, Papers of Surrealism. No.5, Spring 2007, pp. 1-14.
‘Posting the Future: British Stamp Design and the “White Heat” of a Technological Revolution’, Journal of Design History. Vol. 17, No.2, 2004, pp. 163-76.
‘Anxious Images: Linder’s Fem-Punk Photomontages’, Women: A Cultural Review. Vol. 13, No. 2, 2002, pp. 161-178.
‘Anarchy in the UK: 70s British Punk as Bakhtinian Carnival’, Studies in Popular Culture. Vol. 24, No. 3, 2002, pp. 25-36.
‘Uncanny Koons’, Art Criticism. Vol. 15, No. 2, 2000, pp. 54-65.
‘Building the Empire of the Gaze: The Modern Movement and the Surveillance Society’, Architectural Theory Review. Vol. 4, No. 2, 1999, pp. 1-14.
‘Ken Currie, Oral History and Popular Memory’, Cencrastus. No. 56, 1997, pp. 21-24.
‘Bacon and Bataille’, Art Criticism. Vol. 11, No.1, 1996, pp. 27-54.
Book reviews and other
‘Painting and politics: Renato Guttuso at the Estorick Collection’. Journal of Modern Italian Studies - Forthcoming.
‘Pop Art – The Folk Art of the Sixties’. Cassone. February 2015. www.cassone-art.com/magazine/article/2015/02/pop-art-the-folk-art-of-the-sixties/?psrc=art-and-artists.
‘Pop around the world’. Cassone. February 2015. www.cassone-art.com/magazine/article/2015/02/pop-around-the-world/?psrc=around-the-galleries.
‘Catching the sweet life on camera’. Cassone. June 2014. www.cassone-art.com/magazine/article/2014/06/catching-the-sweet-life-on-camera/?psrc=featured-reviews.
‘Pablo Echaurren: in a dialogue with Futurism’. Cassone. June 2014. www.cassone-art.com/magazine/article/2014/06/pablo-echaurren-in-a-dialogue-with-futurism/?psrc=art-and-artists.
‘Design - the story so far’. Cassone. February 2014.www.cassone-art.com/magazine/article/2014/02/design-the-story-so-far/?psrc=featured-reviews.
‘Design goes “Pop”’. Cassone. January 2014. www.cassone-art.com/magazine/article/2014/01/design-goes-pop/?psrc=featured-reviews.
‘Menacing Identities’, Eye. Vol. 22, No. 86, 2013, p. 99.
‘The Road is wider than Long: Roland Penrose and the British Surrealists’.
Papers of Surrealism. No. 10, Summer 2013, pp.1-6.
‘A utopian experiment – Black Mountain College’. Cassone. June 2013 www.cassone-art.com/magazine/article/2013/06/a-utopian-experiment-black-mountain-college/?psrc=art-and-artists.
‘William G. Mitchell’s Bitterne Library Relief Sculpture’. FOSMAG Newsletter. No. 72, Spring, 2013, pp.20-21.
‘Tom Lubbock’s galaxy of British art’. Cassone. February 2013. www.cassone-art.com/magazine/article/2013/02/tom-lubbocks-galaxy-of-british-art/?psrc=art-and-artists.
‘Bacon – crucifying religion only to redeem it’. Cassone. February 2013. www.cassone-art.com/magazine/article/2013/02/bacon-crucifying-religion-only-to-redeem-it/?psrc=art-and-artists.
‘Charting the History of Graphic Design’. Cassone. October, 2012. www.cassone-art.com/magazine/article/2012/10/charting-the-history-of-graphic-design/?psrc=architecture-and-design.
‘Big ideas in Graphic Design’. Cassone. October 2012. www.cassone-art.com/magazine/article/2012/10/big-ideas-in-graphic-design/?psrc=architecture-and-design.
‘Bond galore!’. Cassone. July 2012. www.cassone-art.com/magazine/article/2012/07/bond-galore/?psrc=around-the-galleries.
‘The Bauhaus: face of the 20th Century’. Cassone. June 2012. www.cassone-art.com/magazine/article/2012/06/the-bauhaus-the-face-of-the-20th-century/?psrc=featured-reviews.
‘Designs on Modernity’. Cassone. May 2012. www.cassone-art.com/magazine/article/2012/05/designs-on-modernity/?psrc=featured-reviews.
‘The Titanic, Trauma and Sites of Memory’. March 2012. www.landfalls.org/?page_id=243.
‘A Century of Collage’, Cassone. March 2012. www.cassone-art.com/magazine/article/2012/03/a-century-of-collage/?psrc=around-the-galleries.
‘The Five Fathers of Pop Art’, Cassone. January 2012. www.cassone-art.com/magazine/article/2012/01/five-founders-of-pop-art/?psrc=art-and-artistst/?psrc=art-and-artists.
‘70s Style and Design’. The Art Book. Vol. 17, No. 3, 2010, p. 62-63.
‘Telling Stories: Countering Narrative in Art, Theory and Film’. The Art Book. Vol. 17, No. 2, 2010, p. 67.
‘Jackson Pollock in Hampshire’, FOSMAG Newsletter. No. 65, Autumn, 2009, p. 20.
‘Backstage Pass: Rock & Roll Photography’, The Art Book. Vol. 16, No. 4, 2009, pp. 62-63.
‘Cut & Paste: European Photomontage 1920-1945’. The Art Book. Vol. 16, No. 2, 2009, pp. 60-61.
‘Invasion Prague 68: Josef Koudelka’, The Art Book. Vol. 16, No. 1, 2009, p. 66.
‘John Stezaker’, The Art Book. Vol. 15, No. 3, 2008, p. 26.
‘New Art on View’, The Art Book. Vol. 14, No. 4, 2007, p. 32.
‘Bridget Riley and Keith Grant’, The Art Fund Review 2006. London, 2007, pp.130 and 167.
On-line catalogue ‘John Tunnard’, Tate Gallery, London, 2007.
‘Firefighters in Art and Media’, The Art Book. Vol. 13, No. 3, 2006, p. 69.
‘Lending an Ear: Volunteering with the Oral History Unit’, Oral History Newsletter. No.8, January 2006.
‘Over the Hill at 40: Art Deco at Midanbury’, Bitterne Local History Society Magazine. No. 92, Winter 2005, pp. 21-22.
Conference Papers and Media
Seminar Paper: ‘Re-branding Britain: Post Office Stamp Design and National Identity in the 1960s’, School of Graphic Design, London College of Printing, May 2003.
Radio interview: ‘The F-Word’, Broadcasting House, BBC Radio 4, January 2003.
Symposium Paper: ‘Linder Sterling’s Photomontages 1977-79’, The Radical Image Symposium 1950-90, Arts Faculty, University of Southampton, November 2001.
Conference Paper: ‘Subversive Signs: Punk and Photomontage’, No-Future: Punk 2001 Conference, University of Wolverhampton, September 2001.