Journal articles
ITO, A., 2021. Translating Slow Violence: The Use of Environmental Data in Art as Un- Forecasting. AM Journal of Art and Media Studies, 25. Special Issue: Acoustic and Visual Ecology of Damaged Planet.
ITO, A., 2019. A Concrete Palace and a Haunted Abbey: Fear and Suffering in Atomic Museums. The Journal of Inclusive Museums, 12(1).
ITO, A., 2018. The Spectral Image: The Brief History of Visualising Radiation. The International Journal of the Image, 9(2).
ITO, A., 2016 Towards a Theory of Cavernous Porosity. Architecture and Culture, 4(3): This Thing Called Theory, 477-484.
ITO, A., 2016. Instituting Tempera in the State of Precarity. In Derek Hampson and Peter Suchin (eds.) Inscriptions. Nottingham: Mossbooks.
ITO, A., 2015. Hypergraphia: David Sylvian. Chris Bigg (ed.).
ITO, A., 2014. The Uto-Pianist. Seisemopolite: Journal of Art and Politics, 6.
ITO, A., 2013. The Promise of Painting: Spectres of the Baroque in Contemporary Painting. Journal of Visual Arts Practice 12(1), 65-75.
Book
ITO, A., 2001. Dear Thank You Yours Sincerely. London: Pocko Editions.
Book chapters
ITO, A., 2022. Semantics of Cleanliness. In Elena V. Shabiy, Martha J. Crawford and Dmitry Kurochikin, eds. Energy Justice. Palgrave Macmillan.
ITO, A., 2021. Translating Slow Violence: The Use of Environmental Data in Art as Un- Forecasting. In Acoustic and Visual Ecology of Damaged Planet, Special Issue of AM Journal of Art and Media Studies
ITO, A., Hauntology of the Machinic. in Steven John Tompson ed. Machine Law, Ethics, and Morality in the Age of Artificial Intelligence. ICI Global.
ITO, A., 2020. Assemblage Drawing. In Paul-Francis Tremlett’s Towards a new Theory of Religion and Social Change, London: Bloomsbury.
Conference papers
2020. Plutopians Contra Slow Violence. Anthropology and Geography: Dialogues Past, Present and Future at Royal Anthropological Institute.
2018. Care in Art Education: Is an Art School a Military Academy. Art School Today: Who Cares? at University of Wolverhampton.
2017. The Plutopian: Involuntary Identities. Invisible Identity & the Creative Act, at Solent University, England.
The Spectral Image and Anti-Image: The Hunter Caught While Shooting. International Conference on Image, Venice International University, Italy.
Atomic Museums. 10th Inclusive Museum Conference, Manchester Museum, England.
2015. Towards A Theory Of Cavernous Porosity. 12th Architectural Humanities Research Association (AHRA) Conference This Thing Called Theory, Leeds Beckett University.
Attunement. The Almshouse Tempera Project Symposium at University of Nottingham.
Attunement. Art, Alterity and Attunement, Nottingham Trent University as a part of The Almshouse Tempera Project.
Is An Art School A Military Academy? Presented and performed with Louiza Hamidi at The London Graduate School Conference Critical Spaces: Disorienting Topological, Kingston University, London.
2011. The Promise of Painting: Spectres of the Baroque in Contemporary Painting. Tableu: Painting Photo Object at Tate Modern.
2010. The Promise of Painting: Spectres of the Baroque in Contemporary Painting. Tableau Symposium at Central St Martin’s College of Art and Design, University of the Arts London
2009. Justice and Violence: The Ghost of Kasane and the Demand of Justice. Justice in Comparative Perspective, LSE, London School of Economics, University of London.
Reading Walter Benjamin’s Critique of Violence from an Artist’s Point of View. Seminar on Taiwan in Comparative Perspective: Special Series on Justice in Comparative Perspective, LSE, London School of Economics, University of London.
2008. Separate Landscape: Painting as Ethnography? Landscape and Aesthetics on the Tokaido Route, Japan. Anthropology of East and Inner Asia Seminar, LSE, London School of Economics, University of London
2007. Beyond Ethnography. Beyond Text: Synaesthetic & Sensory Practices in Anthropology, University of Manchester.
Ethnography of Space and Place on Tokaido. Research Forum Japanese Humanities, Birkbeck and SOAS, University of London.
Exhibitions
2021. Fully Awake, at the Holden Gallery, Manchester, England.
Autumnism, Kösk, Munich, Germany with Angela Fechter and Raphael Brunner.
2019. Sound of Waves, Pocko, Park Hotel, Tokyo Japan.
2021. Fire in the Swimming Pool, Pocko Gallery, London, England.
Illusion of Tenderness: From the Painting Collection of Daugavpils Mark Rothko Art Centre. Daugavpils, Latvia
2018. Cache, curated by Richard Burton, Angus Hughes Gallery, London.
2017. Literatu Street, Vilnius Academy of Art, Lithuania.
2017. The Museum of Dustology, Solent University, Southampton, England.
2016 Civilized?, with Kate Aries, Olivia Abdul, Issey Rinaldi, Amy Wright, Emma Tod, Nicola Chamberlain, Chloe Wiltshire. Curated by Amy Wright, Hoxton Arches, London
Float, Solent University, Southampton, England.
2015. Antigone’s Chalk Dust in 10 Days Winchester, with Lee Mackinnon and Simon Clark, Winchester, England.
The Dust in Venice – To The Graceful Who Gave Me The Permission in IMTen at IMT Gallery, London.
Inscription: The Almshouse Tempera Project with Derek Hampson, Deborah Harty, Peter Suchin at Atrium Exhibition Space, Nottingham Trent University
Super-Salon, Curated by Alan Magee, at DOLPH Projects, London
2013. A Postcard to Claire Fontaine. In Postcard From My Studio 2013, ACME Project Space, London.
Playback. Peacock Yard, London.
Human Hotel. Copenhagen.
The Moon Museum of Dustology. In collaboration with Wooloo, Copenhagen.
2012. Territories. Bromley By Bow Centre, London.
Territories. Galerie Windkracht, Holland.
And After. with Lesley Hicks, Constantine Gallery, University of Teesside, Middlesbrough.
2011 Meat. Concourse Gallery, Byam Shaw School of Art, CSM, University of the Arts, London.
Chainletter
2010. Melt. Mile End Pavilion, Mile End, London.
Plein Air Mark Rothko 2010, Daugavpils Municipal Museum, Daugavpils, Latvia
Atsuhide Ito, Galería Saro León, Spain.
Artworks Open 2010, Barbican Arts Group, London, England.
2009. Salon 09, Matt Roberts Gallery, London, England.
2008. Pas de Deux, Richmond, The American International University in London, England.
Separate Landschaft, Deutsch-Japanischer Wirtschaftskreis, Düsseldorf, Germany.
Separate Landschaft, Deutsch-Japanischer Wirtschaftskreis, Mülheim an der Ruhr, Germany.
Separate Landscape, James Hockey Gallery, Farnham, Surrey, England.
2004. Minus One, disused Aldwych Underground Station, London, England.
Pocko, Magma, London, England.
Pocko, Rocket Gallery, Tokyo, Japan.
Into the Light, Royal Photographic Society, Bath, England.
Floating Islands, Cable Street Gallery, London, England.
The Gallery of the Future, Loughborough University, Leicester, England.
1997. Ways of Seeing, Kulturforum, Willich, Germany.
Finalists, Logos Art Gallery, London, England.
1996. (E)x-body, Beach Road Studio, Sydney, Australia.
1995. Collision, Vienna Café, Shizuoka, Japan
A Value – Distance, Shizuoka Prefecture Museum, Shizuoka, Japan.
Plastic Boundary, Nissenren Gallery, Shizuoka, Japan.
When a Shaman Dreams of a Cyborg, Alternative Arts, London, England.
1994. Absolute Vodka, Royal College of Art, London.
