'A Controversial Contribution to Art and Culture: Jiang Qing and the Cultural Revolution' in Celebrating Female Agency in the Arts, Christie's Education, New York (USA) 26- 27 June 2018.
'Re-Staging the Rent Collection at the 48th Venice Biennale: Re-thinking Temporality', Re-staging Exhibitions: Past, Present, Futures? CAA Los Angeles (USA) 2018.
'The Visual Discourse of “Home” Through the Ideological Divide', joint paper with Fran Norton in Narrating Home in Visual Arts Through an East West Divide. University of Stockholm 24-25 January 2018.
'China at the Venice Biennale: Art and Politics'. The Politics of Display: Collateral Events and Pavilions at the Venice Biennale, University of St Andrews 24 November 2017.
'The Contemporaneity of Nushu in the work of three artists: Tan Dun, Helen Lai and Yuenyi Lo', The Contemporary Contemporary, Aarhus Denmark, 16-18 June 2017.
'The “Opacity” of Contemporary Chinese Art Histories' (AAH Annual Conference) University of Loughborough, 8 April 2017.
'Gender and Patronage: 3 Women Collectors of Contemporary Chinese Art'. With Sylvia Schlegel. University of Loughborough, 6 April 2017.
'The Promise of Art for an Urban Future'. Imagining the Future: Community Innovation and Social Resilience in Asia. The Chinese University of Hong Kong. 20-23 February 2017.
'China Dream meeting another Dream: the case of Uli Sigg'. University of Stockholm, Exploring the China Dream.15-16 August 2016.
'The case of Uli Sigg: Collector, Agent, Advisor and Promoter of Contemporary Chinese Art'. Warburg Institute, University of London, Collecting and Display: The Art market, Collectors and Agents: Then and Now 13 July 2016.
'Two Exhibitions: The Shanghai Biennial and Guangzhou Triennial. University of Edinburgh' (AAH annual conference). Co-Convenor of the AAH Session: The City in the Biennial. 7-9 April 2016.
'Contemporary art Collectors and Emerging art Canon: the Case of Uli Sigg'. Lyon, ESN & Muse des Confluences. The Far East: Collectors and Collections today, 23-24 March 2016.
'Thailand and China at the Venice Biennale'. London, Senate House, The Venice Biennale and the Art Market 3-5 February 2016.
'Towards The Construction of an Alternative 'Chineseness' in the work of Yueni Lo' – Indirect Speech, 'Chineseness' in Contemporary Art Discourse and Practice, Art Market, Curatorial Practices and Creative Process, Lisbon 16-19 March 2015.
'Heidegger's Late Work as Conceptual writing' – Annual conference of the American College of Art conference, Chicago 13 Feb 2014.
'The Rhythm of East West Dialogues in the work of three Thai Contemporary Artists' – Annual Conference AAH Reading 2013.
Conference paper: (with Pat Hurrell) Ipswich the Art School in the 1960's 'transnational Flows in European Fine Art Education 1900-2000' AAH University of Reading 2013.
Conference paper: 'Photography: the Materiality of the Event of Art?' to be presented at the Association of Art Historians Annual conference at the Glasgow School of Art (April 2010).
Conference paper: ‘Photography in the process of globalisation: a new form of (post-) colonialisation or the practice through which difference can emerge? Dublin School of Art and Design 27-29 June 2007.
Conference co-organiser and Chair of Round Table: Goldsmiths College, London and the Society for Women in Philosophy: Philosophy, Feminism, Art and Society, Nov 2006.
Respondent and Chair of the Round Table: Photography Postgraduate Research Conference, University of Wales, Newport July 2006.
Conference paper ‘Aesthetic Hybridity and the Dominance of the Visual’, Annual Conference of the Association of Art Historians, University of Leeds, 5-7 April 2005.
Conference paper: ‘The Use of Philosophy in Art and the use of art in philosophy’ in Uncertainty in Philosophy: The Learning Experience and Research, Regent’s Park College, University of Oxford, 29 October 2005.
Conference paper: ‘The Ethics of Performance: Yoko Ono and Marina Abramovic’ in East 05: Ethics into Aesthetics, August/October 2005, Norwich School of Art and Design.
Conference paper: ‘Rethinking Aesthetics: performance and the Object’ Relics of Performance, University of Ulster, Belfast, April 2005.
Conference paper: ‘The Philosopher and the Poet/Artist: The Resistance of Embodiment and Art in Heidegger’s Ontology’, Society for European Philosophy, 7th Annual Conference, August 26th – 28th, University of Greenwich.
Conference paper: ‘Philosophy and the Work of Art: Aesthetics, History and Gender’, Discovering Aesthetics, July 2004, University College Cork, Ireland.
Conference paper: ‘Art, Truth and Gender in Heidegger’s Late works’, Aesthetics and Politics, University of Essex, September 2003, Society for European Philosophy.
Conference paper: ‘Towards an Aesthetics of Difference’ (invited symposia paper) Writing Aesthetics, University of Leeds, May 2003, International Association of Philosophy and Literature.
Double session Chair (with Jane Chin Davidson) of 'Re-staging Exhibitions: Past, Present, Futures? CAA, Los Angeles (USA) 21- 25 February 2018.
Session organiser (with Joel Robinson) The City in the Biennale. Annual Conference of the Association of Art Historians, University of Edinburgh 2016.
Co-organiser of the annual conference of the Association of Art Historians 2012 at the Open University, Milton Keynes.
Co-organiser of the annual conference of the Association of Photography in Higher Education 2008 at University of West of England.
Goldsmiths College, London and the Society for Women in Philosophy: Philosophy, Feminism, Art and Society, Nov 2006.
In collaboration with the University of Ulster: Relics of Performance, University of Ulster, Belfast 29 April 2005.