Stuart Joy is a senior lecturer in film and television at Solent University. He is the author of The Traumatic Screen: The Films of Christopher Nolan (2020) and co-editor of The Cinema of Christopher Nolan: Imagining the Impossible (2015) and Through the Black Mirror: Reflections on the Digital Age (2019). His research interests include contemporary film theory and practice, media and cultural theory, film history and gender representation in film and television.
2015. 'The Cinema of Christopher Nolan: Imagining the Impossible'. London: Wallflower Press.
2014. ‘Policing Across Borders: Line of Duty and the Politics of National Identity’, in Journal of Popular Television, vol.2, no. 2, pp.155-172.
2014. ‘Looking for the Secret: Death and Desire in Christopher Nolan's The Prestige’, in PsyArt: An Online Journal for the Psychological Study of the Arts.
2013. ‘Revisiting the Scene of the Crime: Insomnia and the Return of the Repressed’, in Kaleidoscope, vol. 5, no. 2, pp.61-79.
2013. ‘The Patriarchal Construction of Hysteria: Examining the Possessed Woman in the Paranormal Activity franchise’, in The Global Journal of Monsters and the Monstrous, vol 2 no.2, pp.1-18.
Stuart's current work in progress is titled ‘The Look on Their Faces: Transcending Lack in Christopher Nolan’s The Prestige’, in Janus Head, vol. 14, no. 2 (forthcoming) (2015).
Stuart is a fellow of the Higher Education Academy.